- Jahrgang 44 (2018)
- Vol. 44 (2018)
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- Ausgabe 1
- Nr. 1
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- Seiten 23 - 38
- pp. 23 - 38
Die literarische Darstellung des Heimatgefühls
in Stefanie Zweigs ‚Nirgendwo in Afrika‘ und Sahar Khalifas ‚Das Erbe (al-Mirath)‘
Seiten 23 - 38
DOI https://doi.org/10.33675/GM/2018/1/4
open-access
This publication is distributed under the terms of the Creative Commons License Attribution - NonCommercial - NoDerivatives 4.0.
Abstract: “Heimat” encompasses cultural and ideological connotations that are linked to concepts such as “belonging” and “identity” and to the emotional engagement with a particular space. The present paper analyses from a comparative perspective the representation of homeland in the novels ‘Nirgendwo in Afrika’ (1995) by the German writer Stefanie Zweig and ‘Das Erbe’ (1997) (Arabic: ‘al-Mirath’) by the Arab-Palestinian Writer Sahar Khalifa. Both writers present an image of homeland that is based on familiarity, belonging and community-building. In this context, the present article discusses two questions: How do emotions mould the narrative representation of homeland? And to what extent does homeland function as a space for social and cultural interactions in the two selected novels?
Keywords: Heimat, belonging, identity, fiction, Stefanie Zweig, Sahar Khalifa
Keywords: Heimat, belonging, identity, fiction, Stefanie Zweig, Sahar Khalifa